Archive for ‘Technology’

May 1, 2011

Nuclear Power: Who Can You Trust?

The report below highlights the possibly terminal foolishness of trusting governments and utilities to behave with the prudence required to manage the operation of nuclear power facilities.

In response to a question on whether sufficient safety measures had been taken, (Japan’s Prime Minister Naoto) Kan said nuclear plants operate on the assumption that emergency diesel generators will maintain a reactor’s cooling functions when outside power is cut off.

He said the fact that such a back-up system failed to work properly has serious implications.

Kan said measures were not taken despite previous accidents and warnings, and that he must admit that the utility and the government failed to fully deal with the situation.

Emphasis added. From NHK World via The Raw Story.

March 27, 2011

Digital Piracy: The Beginning of the End

Ok, you can steal my e-books. Well, it’s not actually stealing, because if you don’t want to pay for one, you can have it. So goes Tim O’Reilly’s approach to digital rights management (DRM). This, of course stands directly opposite the rigidly proprietary copyright practices of major media publishers. But O’Reilly runs a $100 million media business. What gives? Is he a throwback to the 60′? (Shades of Abbie Hoffman and Steal This Book.) Or do we see an early adopter of an approach to publishing and copyright management that puts more emphasis on the good to the community? And one which, of course, is also economically viable.

From “Steal This E-Book” by Jon Bruner in Forbes Focus, an abridged interview with Tim O’Reilly. The unabridged version (and worth the read) is here.

Jon Bruner: On all your titles you’ve dropped digital-rights management (DRM), which limits file sharing and copying. Aren’t you worried about piracy?

Tim O’Reilly: No. And so what? Let’s say my goal is to sell 10,000 copies of something. And let’s say that if by putting DRM in it I sell 10,000 copies and I make my money, and if by having no DRM 100,000 copies go into circulation and I still sell 10,000 copies. Which of those is the better outcome? I think having 100,000 in circulation and selling 10,000 is way better than having just the 10,000 that are paid for and nobody else benefits.

People who don’t pay you generally wouldn’t have paid you anyway. We’re delighted when people who can’t afford our books don’t pay us for them, if they go out and do something useful with that information.

I think having faith in that basic logic of the market is important. Besides, DRM interferes with the user experience. It makes it much harder to have people adopt your product.

March 23, 2011

Life, Art, Tech, Fame: Gaga@Google

Lady Gaga bares, if not all, then much of her life in front of a room full of Googlers. Candid, engaging, appreciative of her fans…and clearly too hip for the room including the interviewer, Google’s Marissa Mayer who can’t quite be herself in the presence of our current incarnation of fame. But Stefani (she and Gaga are one, we learn) clearly loves her fans who adore her – no matter that her “life as art” riffs land outside the algorithms of Google’s culture. If art anticipates the future, what does the phenomenon of the Lady Gaga foretell?

October 25, 2008

The Technology Behind “It’s All Over but the Counting”

The new political social networking and campaign tools are not fundamentally concerned with information, but with action. Obama’s “ground game” is not good, it’s not great, it’s revolutionary. For now, that is. Each new two year election cycle will see newer and more powerful tools for reaching and mobilizing voters.

The five minute video below is instructive on the state of the art today. In it Joshua-Michele Ross of O’Reilly Radar interviews Jascha Franklin-Hodge, CTO and co-founder of Blue State Digital about “how technology is affecting politics and democracy in the U.S.” Click here for Ross’s full post at O’Reilly Radar.

In a manner of speaking, nerds rule.

Postscript: Technology + Charisma = (virtually infinite) Cash. The utility of this formula for political advertising is illustrated below.

                        Obama Purchases Ad Space On Side Of McCainÂ’s Bus

From The Onion via Politico.com

August 13, 2008

Pandora: Let the Music Play

As I write this, I am listening to Pandora’s generic “funk” station. “What is Pandora?” you may ask. It’s pandora.com where you can create your own “radio” stations based on artist, title or you can pick from a number of generic stations like the one I’m playing now. (Funk, not only is it danceable, you can keyboard to it as well — though probably not at the same time.)

Pandora is based on the Music Genome Project. As the site says

Since we started back in 2000, we have been hard at work on the Music Genome Project. It’s the most comprehensive analysis of music ever undertaken. Together our team of fifty musician-analysts has been listening to music, one song at a time, studying and collecting literally hundreds of musical details on every song. It takes 20-30 minutes per song to capture all of the little details that give each recording its magical sound – melody, harmony, instrumentation, rhythm, vocals, lyrics … and more – close to 400 attributes! We continue this work every day to keep up with the incredible flow of great new music coming from studios, stadiums and garages around the country.

With Pandora you can explore this vast trove of music to your heart’s content. Just drop the name of one of your favorite songs or artists into Pandora and let the Genome Project go. It will quickly scan its entire world of analyzed music, almost a century of popular recordings – new and old, well known and completely obscure – to find songs with interesting musical similarities to your choice. Then sit back and enjoy as it creates a listening experience full of current and soon-to-be favorite songs for you.

You can create as many “stations” as you want. And you can even refine them. If it’s not quite right you can tell it so and it will get better for you.

Check it out here. And now to shift the soundtrack, inflect the mood — a little reggae? Or maybe some Bach?

April 28, 2008

It’s Still All Over but the Shouting, er, I Mean, Counting

The shouting in and about the Obama and Clinton campaigns continues, but the basic context remains and the quest for the Democratic presidential nomination unfolds within it. All the tactical decisions, the evaluations of those decisions, all the campaign ads, all the surrogates’s advocacy, etc., are subordinate to the larger question of whether a cultural and political shift is occurring – one that as some commentators have noted is at least as profound as the one that gave Ronald Reagan his greatest role.

I continue to espouse that this is the case. The shift, as I noted in an earlier post, is from the everyman and everywoman for his/herself ethos of the greed is good halcyon days of the 80′s to Obama’s gyral return to the cultural ground of “I am my brother’s keeper, I am my sister’s keeper.”

Why do I think this remains the case? Because Hillary’s campaign has indeed thrown the kitchen sink at her opponent, hit him with the garbage disposal, and it has made no difference. Take the Pennsylvania primary, for example. With the flap about Rev. Wright taking stage center in the attack of the sink, the polls (on average and courtesy of RealClearPolitics.com) showed Obama moving from 6 points down to 7. By the time of the election, he was back at 6 points down. He lost by 10 (after having been 20 points down a month before). In the elections thus far where he has started far behind, e.g., Ohio, he has closed the gap and then lost by an additional 4 percent as the late deciders voted for Hillary.

So the net effect of hurling the sink was zero. The rest of the campaign will, I do believe, play out as it has been with Obama getting the nomination on the basis of more superdelegates breaking for what they see as the future rather than the past. The times they are, again, a-changin’.

(As I write this, Rev. Wright is again making news as he defends his career. I predict that the inevitable attacks on Obama will have no lasting impact on his campaign. Time, of course, gets the last word.)

April 24, 2008

The Ecstasy of Influence

Earlier in these posts IÂ’ve noted the rise of the Creative Commons and Open Source software movements as indications of how the understanding of creativity (and ownership of creative works) is changing in a larger context that I call “the return of the commons.”

For the viewpoint of a well-known novelist, Jonathan Lethem (b. 1964) on creativity and copyright, both delightful reads, see the articles at the links below. The first is to an article in HarperÂ’s, “The Ecstasy of Influence: A Plagiarism,” from which I cadged the title of this post. The second is to an interview with Lethem in Salon.com where he gives his take on sharing his work, including giving away the film option for his seventh novel, You Don’t Love Me Yet. Both articles were published last year, but are as or more relevant today.

We live in times that are seeing the end of the myth of the lone creator bringing forth work of pure originality.

Good reading. Enjoy.

The Ecstasy of Influence: A Plagiarism

Interview with Lethem in Salon.com

April 19, 2007

The (Bio) DaVersity Code

That we as a society are now aware of our interconnectedness with the environment (the “tipping point” being Al Gore’s Oscar for “An Inconvenient Truth”) goes hand in hand with the rise of video. Young “boomers” raised on television began the environmental movement; “generation next” holds the promise of fulfilling it.

April 1, 2007

The Return of the Commons

This is the first post in a new category, “the return of the commons.” What this phrase exactly is intended to mean, I am not yet sure. I use it to point to the global cultural transformation that started with the advent of electronic media (a tip of the cap to Marshall McLuhan) and has been exploding with the penetration of ever less expensive, mobile, networked, and easy to use personal computers.

Some signs of the times visible to boomers – The Open Source software movement. The Creative Commons intellectual property movement. Web 2.0 and social media.

Along with this come changes in the structures of the self and personal and public identity. What looks to me like foolish personal exposure (not to say overexposure) is more common than commonplace on MySpace, etc.

One example in the realm of public identity: In response to the advice to be careful because employers research candidates on Google, etc., I have heard college students remark that they wouldnÂ’t want to work for someone who couldnÂ’t tolerate their MySpace lives. One part an arrogance of youth, two parts the new generation gap.

“The return of the commons” is very much a work in progress. More later. For now I close with an acknowledgment (should I say, “shout out?”) to Guillermo Wechsler whose passionate speaking about Open Source triggered me to explore and now to wonder at what is befalling the world.

March 20, 2007

The youTube age of politics has now officially begun

If you haven’t seen the video remix/mashup of Apple’s famous 1984 commercial into a prescient, even brilliant, satire of Hilary Clinton, you can watch it here. For some initial punditry from techPresident, click here. The games have begun.

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